Cinema / Cinema / Cinéma /


  1. Adams Sitney, P. (1979) Visionary Film: the American avantgarde 1943-1978. New York: Oxford University Press.
  2. Alexander, William (1981) Film On The Left: American documentary film from 1931 to 1942. Princeton: Princeton University Press.
  3. Armes, Roy (1987) Third World Film Making and the West. Berkeley and Los Angeles: University of California Press.
  4. Aufderheide, Patricia. 1992b. Cross-cultural film guide. Video in the villages. Internet. [June 10, 1999].
  5. Aufderheide, Patricia. 1993. Film and Video in the Cultural Struggle of Latin America. Media Development 40 (1): 30-31.
  6. Barnouw, Erik (1993) Documentary: A History of the Non-Fiction Film (2nd ed.). New York: Oxford University Press.
  7. Chanan, Michael (1985) The Cuban Image: Cinema and Cultural Politics in Cuba. London: BFI Publishing; Bloomington: Indiana University Press.
  8. CÓRDOBA, Amalia, ZAMORANO, Gabriela (2004), “Mapeando Medios en México: Video Indígena y Comunicación en México”, Redes Indígenas, Available online
  9. Diawara, Manthia ed. (1991, July-October). Wide Angle vol 13, no 3 & 4. Special issue on Black Cinema.
  10. Dodaro, Christian, Marino, Santiago, Rodríguez, María Graciela (2009), « Collective Action and Militant Documentary Cinema in Argentina: A Conflictual Relationship », in Rodriguez, Clemencia, Kidd, Dorothy, Stein, Laura (ed.) (2009), Making Our Media: global initiatives Toward a Democratic Public Sphere, Volume II: National and Global Movements for Democratic Communication, Hampton Press, Inc. 23 Broadway Cresskill, New NJ, 416 pages (appx.) 1-57273-794-8 1-57273-795-6
  11. Downing, John, ed. (1987) Film And Politics In The Third World. New York: Autonomedia.
  12. FERRO, Marc (dir.), Révoltes, révolutions, cinéma, Paris, Editions du Centre Pompidou, 1989.
  13. FREROT, Christine (2009), Resistencia Visual. Oaxaca 2006, préf. Edouard Glissant, Paris, Talmart, Editions du Tout-Monde, 96 p. On-line interview with the author available
  14. Getino, Octavio & Solanas, Fernando S.(1969) Towards a Third Cinema: Notes and Experiences for the Development of a Cinema of Liberation in the Third World (Cine, Cultura y Decolonizacion, Buenos Aires, Argentina 1973). (pp. 43-44 in Communication for Social Change Anthology: Historical and Contemporary Readings.)
  15. Gettino, Octavio. 1990. Video Popular en América Latina. Chasqui 33, (Enero/Marzo)61-68.
  16. Gómez, Ricardo. 1990. Popular Video in the Democratization of Communication. University of Montréal, Montréal. Unpublished document.
  17. Gontrán Carranza, Rubén. 1989. El Video Alternativo en la Educación Popular en Bolivia. Media Development 36 (4): 27-29.
  18. Hartmann, Attilio. 1990. Video: Primo Pobre del 7o Arte. Chasqui 33:69-72.
  19. Hayward, Philip. 1989. Video, Democracy, and Independence. Media Development 36(4): 5-7.
  20. HERITAGE, Ruth (2008), « Video Activist Citizenship & the Undercurrents Media Project: A British Case Study in Alternative Media », in PAJNIK, Mojca, DOWNING, John D. H. (eds) (2008), Alternative Media and the Politics of Resistance: Perspectives and Challenges, Peace Institute.
  21. Kawaja, Jennifer. 1994. Process Video: Self-Reference and Social Change. In Women in Grassroots Communication: Furthering Social Change, ed. Pilar Riaño, 131-148. Thousand Oaks, CA: Sage.
  22. Jain, Rajive. 1991. Video: For, by, and with the People. In Video the Changing World, ed. Nancy Thede and Alain Ambrosi, 40-47. Montréal: Black Rose Books.
  23. Joskowicz, Alfredo. 1990. Cámaras para Todos? In Hacia un Video Indio, ed. INI, 11-15. Mexico: INI [Instituto Nacional Indigenista].
  24. - LECLERE, Thierry (2007), “Caméras solidaires. La guerre au Liban a mobilisé les cinéastes israéliens et arabes”, Télérama, autumn (unknow date)
  25. Liebman, Stuart ed. 1988, Fall. October #46. Special issue on Alexander Kluge: Theoretical Writings, Stories, and an Interview.
  26. Mayer, Jeffrey. 1993. Television that Works. Labor Video in the 1990s. Socialist Review 23 (2): 57-78.
  27. Media Development. 1989. Editorial: Video for Animation and Conscientization. Media Development 36 (4):1.
  28. Michaels, Eric and Jupurrula Kelly, Francis. 1984. The Social Organization of an Aboriginal Video Work Place. Australian Aboriginal Studies, 1: 26-34.
  29. ODIN, Roger (1999), “La question de l'amateur dans trois espaces de réalisation et de diffusion”, Communications, vol. 68, n° 1, pp. 47-89
  30. Ogan, Christine. 1989. Video's Great Advantadge-Descentralised Control of Technology. Media Development 36 (4): 2-5.
  31. Pines, Jim and Paul Willeman eds (1989), Questions of Third Cinema. London: British Film Institute.
  32. Porton, Richard. 1999. Film and the Anarchist Imagination. London and New York: Verso.
  33. Protz, Maria. 1991. Distinguishing Between “Aternative” and “Participatory” Models for Video Production. In Video the Changing World, ed. Nancy Thede and Alain Ambrosi, 31-39. Montréal: Black Rose Books.
  34. Rocha, Glauber. 1982. The Tricontinental Film-maker: That is Called the Dawn. In Brazilian Cinema, ed. R. Johnson and R. Stam, 76-80. New Jersey: Associated University Presses. Quoted in Keyan Tomaselli, Transferring Video Skills to the Community: The Problem of Power, Media Development 36 (4)(1989): 11-15.
  35. Rodríguez, Clemencia. (1994) “A Process of Identity Deconstruction: Latin American Women Producing Video Stories.” In P. Riaño (Ed.), Women in Grassroots Communication. Furthering Social Change, 149-160. Thousand Oaks, CA : Sage.
  36. Rodríguez, Clemencia. (2001) Fissures in the Mediascape. An International Study of Citizens’ Media. Cresskill, NJ: Hampton Press.
  37. Rodríguez, Clemencia. (2002). “Citizens’ Media and the Voice of the Angel/Poet.” Media International Australia # 103, 78-87.
  38. Rodríguez, Clemencia. (2003). “Los Medios Ciudadanos y la Voz del Angel/Poeta.” Signo y Pensamiento 22, 124-133 (2003).
  39. Roncagliolo, Rafael. 1989. La Videored del IPAL Conquista el Espacio Audiovisual Latinoamericano. Media Development 4, 18-20.
  40. Roncagliolo Rafael. 1991. The Growth of the Audio-visual Imagescape in Latin America. In Video the Changing World, ed. Nancy Thede and Alain Ambrosi, 22-30. Montréal: Black Rose Books.
  41. Rose, Gillian (1994) ‘The Cultural Politics of Place: Local Representation and Oppositional Discourse in Two Films,’ Transactions of the Institute of British Geographers, 19 (1) : 46-60.
  42. Ruíz, Carmen. 1994. Losing Fear: Video and Radio Productions of Native Aymara Women in Bolivia. In Women in Grassroots Communication: Furthering Social Change, ed. Pilar Riaño, 161-178. Thousand Oaks, CA: Sage.
  43. Santana Lourenco, Rogerio, « Video-Identity: Images and Sounds of Citizenship Construction in Brazil », in FULLER, Linda K. (ed.) (2007), Community media : International Perspectives, Palgrave Macmillan
  44. Stangelaar, Fred. 1983. Comunicación Alternativa y Video-Cassette: Perspectivas en América Latina. In Comunicación Alternativa y Búsquedas Democráticas, ed. Fernando Reyes Matta, 209-236. Mexico: Fundación Friedrich Ebert and ILET (Instituto Latinoamericano de Estudios Transnacionales).
  45. Stephen, Peter. 1993. Brink of Reality: New Documentary Film and Video. Toronto: Between the Lines.
  46. Stuart, Sara. 1989. Access to Media: Placing Video in the Hands of People. Media Development 36 (4): 8-11.
  47. Sundar Harris, Usha. 2008. Transforming Images: Participatory Video and Social Change in Fiji. Doctoral Dissertation, Media Department, Macquire University, Sydney, Australia.
  48. Valdeavellano, Paloma. 1989. América Latina Está Construyendo su Propia Imagen. In El Video en la Educación Popular, ed. Paloma Valdeavellano. Lima: IPAL.
  49. WATKINS, Peter, Media Crisis, Paris, Col. Savoirs autonomes, , Homnisphères, 2003.
  50. WIDGINGTON, David, “Projeter la révolution. Foire aux questions à propos de la vidéo-militance”, in LANGLOIS, Andrea, DUBOIS, Frédéric, Médias autonomes. Nourrir la résistance et la dissidence, Montreal, Lux Editor, 2006, pp. 155-178.
  51. WOODMAN, Brian (2009), “Feminist Guerrilla Video in the Twin Cities”, in HOWLEY, Kevin (ed.) (2009), Understanding Community Media, Thousand Oaks, Sage. ISBN: 9781412959056
  52. Worth, Sol and Adair, John. 1972. Through Navajo Eyes: An Exploration in Film Communication and Anthropology. Bloomington and London: Indiana University Press.
bibliography/ams_category/cinema.txt · Last modified: 2020/12/20 20:55 (external edit)