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  2. Anderson, Mark and Mark Jenkins (2001) Dance of Days: Two Decades of Punk in the Nation's Capital. New York: Soft Skull Press.
  3. Barlow, William (1989) “Looking up at down”: the emergence of blues culture. Philadelphia, PA : Temple University Press,
  4. Blues In The Mississippi Night (1990), compiled by Alan Lomax. Salem, MA: Rykodisc.
  5. Edge, Brian ed. (2004) 924 Gilman: The Story So Far. San Francisco: Maximumrocknroll.
  6. Eyerman, Ron and Jamison, Andrew (1995) 'Social Movements and Cultural Transformation: Popular Music in the 1960s,' Media, Culture and Society, 17, pp. 449-468.
  7. Frith, Simon (1996) Performing Rites: Evaluating Popular Music. Oxford: Oxford University Press.
  8. Glasper Ian (2006) The Day the Country Died: A History of Anarcho Punk 1980-1984. London: Cherry Red Books.
  9. Hebdige, Dick (1979) Subculture: The Meaning of Style. London: Routledge.
  10. Hurchalla, George (2006) Going Underground: American Punk 1979-1992. Stuart, Florida: Zuo Press.
  11. Keil, Charles (1966) Urban Blues. Chicago and London: University of Chicago Press.
  12. Lipsitz, George (1994) Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. London and New York: Verso.
  13. Margolick David (2000) Strange Fruit: Billie Holiday, Cafe Society and the Early Cry for Civil Rights. Philadelphia and London: Running Press.
  14. McKay, George (1996) Senseless Acts of Beauty: Cultures of Resistance since the Sixties. London: Verso.
  15. McRobbie, Angela (1993/1994) ‘Shut Up and Dance: Youth Culture and Changing Modes of Feminity’, Cultural Studies 7(3), 1993: 406-426. Reprinted in Postmodernism and Popular Culture, London: Routledge, 1994: 155-176.
  16. Negativland (1995) Fair Use: the Story of the Letter U and the Numeral 2, Concord, Calif.: Seeland.
  17. Newton, Francis [Eric Hobsbawm] (1961) The Jazz Scene. Harmondsworth: Penguin.
  18. O'Connor, Alan (2002) Punk and Globalization: Mexico City and Toronto, in Paul Kennedy and Victor Roudometof eds. Communities Across Borders, 143-155. London and New York: Routledge.
  19. O'Connor, Alan (2003) Anarcho-Punk: Local Scenes and International Networks, Anarchist Studies vol 11, no. 2, 111-121.
  20. O'Connor, Alan (2003) Punk Subculture in Mexico and the Anti-Globalization Movement, New Political Science vol 25, no 1: 43-53.
  21. O'Connor, Alan (2008) Punk Record Labels and the Struggle for Autonomy. Lanham MD: Lexington Books.
  22. O'Hara, Craig (1995) The Philosophy of Punk. Edinburgh and San Francisco, AK Press.
  23. Peace Review (2004, December) vol. 16, no.4. Special issue on Subcultures and Political Resistance, edited by Jeffrey Paris and Michael Ault.
  24. Raphael, Amy (1995) Never Mind the Bollocks: Women Rewrite Rock. London: Virago Press.
  25. Rose, Tricia (1994) Black Noise: Rap Music and Black Culture in Contemporary America. Hanover and London: Wesleyan University Press.
  26. Savage, Jon (1991) England's Dreaming: Sex Pistols and Punk Rock, London: Faber and Faber.
  27. Stewart, C. J. (1991). The ego function of protest songs: An application of Gregg's theory of protest rhetoric. Communication Studies, 42, 240-253.
  28. Sakolsky, Ron and Fred Wei-han Ho eds. (1985) Sounding Off! Music as Subversion / Resistance / Revolution. New York: Autonomedia.
  29. Street, John (1986). Rebel Rock: The Politics of Popular Music. Oxford: Blackwell.
  30. Thornton, Sarah (1995) Club Cultures: Music, Media and Subcultural Capital, Cambridge: Polity Press.
  31. Turner, Scott M.X. (1995) ‘Maximising Rock and Roll: an Interview with Tim Yohannon (18 August 1994).’ In Ron Sakolsky and Fred Wei-han Ho (eds.), Sounding Off! Music as Subversion/Resistance/Revolution, Brooklyn, New York: Autonomedia, pp. 181-194
es/bibliography/ams_category/music.txt · Last modified: 2020/12/20 20:55 (external edit)